Art

General Info

2005 Spring Exhibit Prospectus 

"Living Water" Exhibit 

"All Creatures Great and Small" Exhibit

"Purchased" Exhibit

"Dancing With God" Exhibit

"Road to Damascus" Exhibit

"Everyday Miracles" Exhibit

 


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“Blood Money”

Marilyn Strother

Watercolor

The first thought I had about the theme "Purchased" was, of course, about our being purchased by the blood of Christ. Then I thought about how some poor souls buy their way to position and importance, or at least the appearance thereof, while losing their true selves so loved by God. I wasn't satisfied with painting anything so complicated at this time. Then the simple transaction between Satan, through Judas and the chief priests came to mind. Judas himself comes to life with remorse in Matthew 27. I chose the thirty shekels as what were once of equal value to Christ's life, but became less than worthless once Judas realized his sin.

"When Judas, his betrayer, saw that he was condemned, he repented and brought back the thirty pieces of silver to the chief priests and the elders, saying, "I have sinned in betraying innocent blood." They said, "What is that to us? See to it yourself." And throwing down the pieces of silver in the temple, he departed; and he went and hanged himself."

Matthew 27:3-5 RSV

Marilyn O. Strother - A native of Champaign, Illinois, Marilyn received her BFA with honors from Mills College, Oakland CA. She has cultivated her art talent in Peace Corps/Nicaragua as an illustrator and has shown her work in many venues. Among these are the U.S. Embassy in Managua, Nicaragua, the United Nations in NYC, art fairs in New York and Connecticut, as well as galleries in Illinois, California and New York. Having moved to Chapel Hill in the summer of 2001 Marilyn now is adapting to this new environment of subject matter. It is also time to discover how thirty-five years of watercolor painting fortifies ventures into oil. She celebrates the beauty of creation and the wonderful likeness we have to our Creator in the use of our gifts. Even the abstract flow of the paint has its beauty before it is seen in form and context as a representation of something else.




 

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